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FRAMED #50 Alex Conde & Nino de los Reyes / Exhibition Emeli Theander
FRAMED #50 Alex Conde & Nino de los Reyes / Exhibition Emeli Theander

FRAMED #50 Alex Conde & Nino de los Reyes / Exhibition Emeli Theander

FRAMED #50 welcomes pianist Alex Conde and flamenco dancer Nino de los Reyes for an electrifying evening of rhythm and virtuosity. Blending jazz and flamenco, they create a dynamic dialogue of music and movement, full of passion, precision, and spontaneous energy.

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Time & Location

10 Apr 2021, 19:30

Simplonstraße 29, Simplonstraße 29, 10245 Berlin, Germany

About the event

MUSIC – Alex Conde & Nino de los Reyes 




ART EXHIBITION – Emeli Theander



Emeli Theander was born in Sweden in 1984. She has lived and worked in Berlin since 2003. Between 2006 and 2012, she studied fine arts at the UdK Berlin under Prof Valérie Favré. She was funded by the German National Academic Foundation (Studienstiftung des deutschen Volkes) from 2009 to 2011 and, as part of this funding, also did a six-month artist-in-residence in Seoul, South Korea, at the Platoon Kunsthalle. In 2014, she received the Dorothea Konwiarz scholarship, and in 2013, the “Merkel collection and foundation prize for painting, Rhein Neckar Delta”.


„Feed Your Demons“ is a body of work I’ve been feeding during the last year, while trying to sort out my role as an artist and as a mother. I experienced two life-threatening events that resulted from an illness during pregnancy, which further impacted my work. The pieces are made to nurture the emotions following the loss of control, soothing the demons inside, perhaps turning them into domesticated beasts. 

 

Psychoanalysis has been a main influence on my work in recent years, as it revolves around what excites me the most: Exploring the depths and paradoxes of human emotions.  


I work mainly in oil on canvas. In addition to that, I draw, especially using graphite and oil pastels. In my work, I take references from art history and beats from different myths and stories, and bind/weave them together with my own personal collection of dreams, experiences, and emotional states. 


Lately, I kept coming back to Impressionist paintings with their bright gardens and sunlight. But what interests me most are actually the shadows of these places. There is something slightly threatening lurking in my abstract gardens, but also perhaps something ironic, or hopefully, even humorous.


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