Veranstaltung


FRAMED #74 Jimi Prasad Orchestra feat. Avishai Cohen & Rejoicer / Exhibition Carmen Ilan
Jimi Prasad Orchestra, featuring Avishai Cohen and Rejoicer, blends cinematic sound and mixed art disciplines into a bold, rhythm-free musical vision. The evening features works by Carmel Ilan, presenting photographic interpretations of her folded-paper sculptural compositions.
Zeit & Ort
05. Juli 2023, 19:00
Kleiner Wasserspeicher, Diedenhofer Str. 20, 10405 Berlin, Germany
Über die Veranstaltung
MUSIC – Jimi Prasad Orchestra featuring Avishai Cohen (trumpet) & Rejoicer
Jimi Prasad Orchestra is the next stage in the evolution of visionary artist Jimi Prasad. The Orchestra is a unique project, blending mixed art disciplines, featuring top musicians from around the world, including trumpet player Avishai Cohen, keyboardist/producer Rejoicer, cellist Esther Patricia Valladares Amador, and more. The debut album is due to be released on July 7, 2023, on Raw Tapes Records.
„Down & Up (Unending Love)“ is the debut single by Jimi Prasad Orchestra and the introductory tune for this phenomenal project. Dramatic, cinematic, and full of imagination. The combination of close & intimate sound with the unusual melodic use of classic instruments – flutes, cellos, voice, and trumpets – creates a glitch in the system; something we haven’t heard before. No rhythm section, no obvious verse-chorus form; but an open, pure, and thus utterly original expression through music.
FIRST EVENT – 19:30
SECOND EVENT – 21:00
ART EXHIBITION – Carmen Ilan
Carmel Ilan’s work is based on a method of work constructed of numerous folded papers erected from a wooden plate. Originating in the feminist discourse of the late 20th century, her work responds to traditions of female labor and crafts. Strongly connected to her basic material of paper, she questions the emotional response the material evokes and its contemporary value in an age of digitally archived knowledge. Her latest development is an interpretation of her original technique, as she currently chooses to exhibit only the photographic representation of her sculptural objects. Replacing material for size value and microscopic vision, she transforms not only the materiality of the works but also their physical effect on the viewer.

















































































